Salinas community leaders welcome intervention expert Luis J. Rodriguez; Vow to target the roots of youth violence….
Over two nights, 40 grassroots leaders met with urban peace activist and author Luis J. Rodriguez. They came from all over Salinas as well as Castroville, Seaside and other Tri-County communities to the first gathering of the Salinas Area Youth Violence Intervention Project.
Salinas, California—On November 9 and 10, 2015, forty community leaders representing over half a dozen organizations from across Salinas met with urban peace activist and author Luis J. Rodriguez. Speaker after speaker at the two sessions blasted the failure of the City of Salinas to address the roots of spiraling violence engulfing our youth.
Leaders of “Peace in the Streets” from Castroville and “Black Lives Matter” from Seaside added strong voices and their own front line experience as Rodriguez urged the creation of an aggressive, community based approach that targets the problem at the roots. “This is systemic,” said Rodriguez, linking gang violence to a failure of the City to provide comprehensive, healthy alternatives to gang violence.
During his three-day trip to Salinas, Rodriguez also met with students and teachers at Everett Alvarez High School where students are reeling from the violent death of one of their own just days earlier. “Let’s face it,” said one teacher, “This city is controlled by agribusiness and the only future they have for our youth is working in the fields, gangs or the school to prison pipeline.” Members of the faculty senate know their students cannot learn if they are continually traumatized…and they are joining the movement to do something about it.
Rodriguez finished up his tour addressing a standing room only crowd at the Victory Mission in Chinatown, where one of the state’s largest homeless encampments exist. Rodriguez drew cheers declaring, “What the homeless have in common with the youth of Salinas is the systematic devaluation of life.”
Finally, Rodriguez vowed his ongoing commitment to support the movement to empower youth and address the violence at its roots.
On a Comprehensive & Rooted Peace and Justice Plan in Salinas—a City in Transition, a City of Hope
By Luis J. Rodriguez
November 16, 2015
There have been 34 murders in Salinas this year, the highest number on record. Salinas is already known as among the four most violent cities in California. And despite millions of dollars in police and suppression—65 percent of the city’s budget is for law enforcement—people in the poorest sections of East Salinas, the former Alisal community with the largest number of Mexicans and Central Americans, are asking, “When will the violence stop?”
There is no simple answer. There is no one answer. Yet, there are answers.
This is my conclusion after spending four days there from November 8-12 to help initiate a community-rooted, community-driven plan to transform the environment that creates and feeds violence and crime. I’ve come to Salinas a dozen times in the past several years, including speaking at high schools, the Steinbeck Center, Hartnell Community College, and various community gatherings about comprehensive community-based gang prevention and intervention. Salinas was also a major stop in my travels up and down the state when I ran for governor in 2014 as a Green Party-endorsed candidate.
City Councilman Jose Castaneda and community leaders invited me to begin a process of such a plan when it appeared that the city would do nothing substantial. While this is a critique of current city actions and inactions, this is also a critique of what has happened throughout California. Suppression to curb violence and crime has established the largest prison system in the world, outside the U.S. federal system, at a cost of $10 billion a year. New laws created more lawless—three strikes and you’re out, trying youth as adults, gang enhancements, and more.
The state went from housing 15,000 prisoners in 15 prisons in the early 1970s to 34 prisons with some 150,000 prisoners (and since the 1980s only one university was built). It costs $62,300 a year to house a prisoner, only $9,100 per student per year in our public schools (2014 California Endowment).
There has also been a squeezing of the poor, primarily black and Latino, with gang injunctions—where whole communities are under arrest, not just individuals—gentrification, and lowered job opportunities with the shift from industrial-based work to digital-driven and service-oriented employment. For some time the concern in cities like San Francisco, Oakland, and Los Angeles, the most insidious examples, is whether the most valuable land and property will be for the rich only.
The concentration of wealth, culture, arts, and jobs in key areas—and its relative lack in others—has made California the richest state in the union (the world’s eighth largest economy) with the highest poverty rate of any state (around 24 percent), more than the poverty rates of Georgia or Mississippi.
Salinas is a microcosm of what’s happening in the state and across the country, with all the issues of class and racial divide, economic disparity (including the largest homeless encampment between the Bay Area and Los Angeles), and violence.
Salinas is also a city with great imagination, leadership, innovation, and immense possibilities.
What remains to be seen is whether there is the political will to deal with the problem at the roots.
What does this have to do with Salinas?
I have learned much from my intensive and extensive work in urban peace and gang intervention, both in our successes and in our losses. This knowledge can be extremely helpful in Salinas. However, it’s imperative that any plan in Salinas not be the brainchild of any one person. Nor can this be fully applied from cities like Los Angeles or Chicago. Despite key similarities and related economic realities, this plan has to be Salinas-rooted and Salinas-directed, taking into account the local conditions and unique circumstances of Salinas. My job is to assess, advise and assist, wherever possible, but nothing more.
Therefore we have to begin a process that involves the voices, stories, ideas, and experiences of the people of Salinas, in particular from East Salinas where most of the violence exists today. This will take time, although this does not have to take the two years that were required in Los Angeles.
Patient but persistent, we can have a plan submitted to the Salinas City Council soon after the 2015 holidays.
A whole community plan, therefore, needs to have these dynamics in place:
• Multi-pronged, and multi-layered: hardcore, specialized street mediation; truce processes; peace agreement maintenance; crisis intervention; rumor control; creation of “peace” zones with agreements among gangs, businesses, schools, churches, law enforcement. ALSO re-entry, relocation and transition services for former prisoners; safe passages to schools, parks and home; mentoring and training; prison outreach. AND mental health services; job creation and preparation; gender-specific services; LGBT specific services; sex & drug education; independent living and housing; tattoo removal; arts & culture; faith-based and indigenous services. FINALLY community engagement; public policy development; court & legal advocacy and services, and more.
• From trauma to transformation—healing has to be built into the process, including personal, family and community healing. Trauma is both individual and historical (for example, Salinas has a long history of poor, migrant worker communities against large, multi-billion dollar agri-business, as written about in books like those from Nobel Prize winning John Steinbeck). We need talking circles, poetry & art therapy, sweat lodges, faith-based church projects as well as short and long range mental and drug treatment. I’m also for deep brain neurological knowledge, connecting brain to soul to body, that addresses broken brain connections and their repair and healing.
• Arts as powerful means to transform persons and communities: A fully creative and expressive community is a healthy community. Community festivals, book fests, murals, other public art projects, lowrider shows, open mics, dance, theater, publications, music, and more are vital. We need support for neighborhood arts projects—cultural storefronts, independent bookstores, barrio museums, film labs and theaters, computer arts, and training in all manner of creativity.
• Educational opportunities must be expanded. Learning is an ongoing human trait. When this is blocked or derailed, learning continues but in negative ways. Juvenile lockups and prisons are still “universities,” but mostly for enshrining the worse aspects of people and in far too many cases into higher-end criminal enterprises. We often make better criminals by sending our youth to such institutions, all at taxpayer’s expense.
• Schools should expand their doors. Suspensions and expulsions should cease. In-house detention with proper mental/emotional programming and engaging activities is more meaningful. Standards should be removed—most of them in the poor schools purposely keep students at low standards, such as reading at a 7th grade level so they can read ads, commercials, newspapers, but not higher end books and deeper information. The standards can be as high as anyone can reach if the downward push of existing “standards” would be changed. “Zero tolerance” in schools should be modified—we need to tolerate all manner of trouble (trouble often helps make a life with proper guidance, mentorship and teachings). After school programs should be adequately funded and include sports, arts, and more schooling for those who want this.
• Safe social recreation: Recreation means that—to re-create. We need fully funded sports programs in parks and recreation centers for after school hours and on weekends. Boxing, martial arts, running/track, etc. as well as team sports (soccer, football, baseball, volleyball, basketball, hockey, etc.)
• Restorative to transformative justice: Instead of imprisoning or pushing out youth who have stolen, hurt or damaged families and communities, they are given opportunities with the victims and in sight of the whole community to restore, repair and renew the hurt and damage that was done. This should come from their own gifts, talents and propensities. Transformative justice is used to change a person from being broken, fractured, hurt to being whole and healthy. They in turn work to help transform community to become integrated, healthy and thriving.
• Initiation and rites of passages: Gangs use these long-held rites, initiation processes and rituals to draw in and engage the most empty and lost youth. They can do this because community won’t. Young people need recognition and help through various “threshold” times in their lives (around age 7; then in puberty stage from 11 to 13; also the late teens/early twenties). Youth need to go through hard but safe ordeals guided by community that initiates them into their own geniuses, their own destinies, their own stories. Indigenous peoples from around the world incorporated appropriate initiation processes for boys AND girls. Ours can be modernized and relevant, but they also follow age-old concepts and traditions.
• Peace and security zones: In some cases, such zones can be created where agreements are made between gang leaders and members to end violence, drug sales, and crime if agreements are also made with businesses to provide jobs and training; schools to open up facilities for safe & sane activities; churches to have spiritual engagement and circles; and law enforcement to allow safe and peaceful passage. While law enforcement should not drive any community integrated prevention and intervention plan, they should be part of the whole package. It’s not enough to simply “stop the killings,” although again if this happens nobody would oppose it. We also have to bring in resources and opportunities so that trauma, violence and killings have no more fertile ground. For gangs and drugs to not be the most attractive option, youth need to have a strong and meaningful relationship to many options.
Who Is Luis J. Rodriguez?
Why me? Why now? What qualifies me to help Salinas?
I’ve been involved in gang prevention/intervention for forty years ever since I left a gang-and-drug life in my teens in the San Gabriel Valley, just east of Los Angeles. I wrote about this in my best-selling memoir, “Always Running, La Vida Loca, Gang Days in L.A.,” one of the state’s most checked out books in libraries—and one of the most stolen. This book is also read in schools despite being one of the most banned due to its graphic nature (which was necessary in describing such a life). Books saved my life as a youth. Libraries were my refuge even when I was briefly homeless in downtown L.A., on heroin, with a .22 handgun in my possession. I was the weird homie that brought books with me to the barrio. With mentorship, community support, a vision of a new and just world, and clarity on my own role in this, I left crime, drugs and gangs before age 20.
Now my world is filled with books, writing, teaching. I’ve written 15 in all genres—poetry, children’s literature, short stories, a novel, and nonfiction. I helped create a bookstore and cultural center—Tia Chucha’s in the San Fernando Valley—now operating for close to 15 years. And for 35 years, I’ve talked, read and conducted workshops in prisons, juvenile lockups, public & private schools, universities, colleges, libraries, migrant camps, bookstores, festivals, community centers, conferences, and Native American reservations.
I’ve worked on gang peace and intervention with San Gabriel Valley gangs and Boyle Heights/East L.A. gangs, including attending End Barrio Warfare Coalition meetings in the 1970s. In early 1980s I helped found Galeria Ocaso and Barrio Writers Workshops in Echo Park and elsewhere. From 1985-to 2000, I lived in Chicago during its most violent years. I co-founded Youth Struggling for Survival, a gang and non-gang empowerment group; the Increase the Peace Network; and Humboldt Park Teen Reach. I also worked with the Chicago Coalition for the Homeless and the Chicago Teachers Center bringing workshops to homeless shelters, schools, juvenile facilities. I returned to Los Angeles after the 1992 Uprising and assisted truce efforts by Bloods and Crips and Chicano gangs. In 1993, I received a Dorothea Lang-Paul Taylor Prize from the Center for Documentary Studies of Duke University to study the Mara Salvatrucha (MS) gang, mostly made up of Salvadoran refugee youth, and those deported to El Salvador.
I took part in urban peace summits in Santa Cruz, CA; El Paso, Texas; Washington D.C.; Chicago; and Kansas City. In 1996, I helped bring together MS gang youth and their rivals in 18th Street in El Salvador for a conference that included peace agreements among gangs, mayors, police representatives, churches, and non-governmental agencies. Unfortunately, the Salvadoran government, with U.S. government pressure, sabotaged all peace efforts and El Salvador became the most violent country in the world as immigration authorities deported thousands of LA-based gang youth to the poor and war-torn country.
I returned to El Salvador in 2012 when MS and 18th Street, along with other local gangs, began a truce in prisons that soon permeated the country—killings went from 14 a day to 5 a day. I arrived as part of a transnational team from Washington D.C, New York, San Francisco, Los Angeles, and London, visiting six adult prisons and one juvenile facility as well as meeting with community leaders, factory owners and government officials on how to spread the peace and bring badly needed resources to the country’s impoverished people. In 2013, I helped present at an Organization of American States (OAS) gathering in 2013 in San Salvador on adequate gang prevention and intervention. As before, the government failed to build on this and peace derailed—today El Salvador is again the world’s most violent country with 30 killings a day in the month of August alone.
I also went to two prisons and several poor communities in Guatemala in two separate trips, including with the YMCA and Homeboy Industries. And I traveled to Ciudad Juarez, Mexico in 2010 when it was the most violent city in the world (with three times the violence of El Salvador and Honduras today, the most violent countries in the world). I spoke in a prison, a juvenile hall, to community groups, and in some of the worse slums imaginable. I also ended up in Argentina, visiting five prisons, the slums surrounding Buenos Aires, and poor provinces of northern Argentina. My work has also taking me to Manchester and London, where I visited crime-ridden Afro-Caribbean communities, and a prison in southern England. I’ve also addressed these issues in Puerto Rico, Peru, Venezuela, Japan, Italy, France, Sarajevo, and throughout Germany.
In addition, I’ve worked with gangs and community groups throughout the United States, including the Bay Area, the Central Valley, San Diego area, Inland Empire, and cities like Albuquerque, Las Cruces, Tucson, Phoenix, El Paso, San Antonio, Houston, Kansas City, Milwaukee, Philadelphia, Boston, Cleveland, New York, Hartford, New Jersey, throughout North Carolina, and others.
Today Tia Chucha’s Cultural Center & Bookstore serves 15,000 people a year, of all ages, with arts & literacy: mural painting, music, dance, theater, writing, and more, including guiding the Young Warriors project, working with gang and non-gang youth, headed by local youth activist, Mayra Zaragoza.
My articles in this area have appeared in New York Times, Los Angeles Times, Chicago Tribune, Christian Science Monitor, The Guardian, The Nation, The Progressive, Granta Magazine, Fox News Latino, and Huffington Post.
Most importantly, some 40 gang interventionists, peace advocates and researchers, including myself, met every week over a two-year period, without pay, to write the “Community-based Gang Intervention Model” under the auspices of then-Los Angeles City Councilman Tony Cardenas. Cardenas, now a U.S. Congressman, has also introduced this plan as a bill in the House of Representatives.
In February of 2008, the L.A. City Council adopted this model. However, the mayor’s office initiated its own plan beginning in 2008—the Gang Reduction & Youth Development Zones, situated in 12 communities with services and under the control of Homeland Security and law enforcement. Many of us in the field felt this was wholly inadequate to the scale of the problem. In the 1990s L.A. had upwards of 2,000 people killed in one year, and hundreds more in other years—one researcher claimed around 15,000 people killed from 1980 to 2000 in the L.A. area.
Still, based on positive youth development (versus reaction to negative youth activities), the violence and crime in L.A. fell significantly. The downward trend can be credited to GRYD in the zones that provided wrap-around services but also to powerful community efforts of groups like Homeboy Industries, Homies Unidos, Communities in Schools, the Violence Prevention Network, Maximum Force, Youth Justice Coalition, Soledad Enrichment Action, Aztecs Rising, Advancement Project, the Anti-Recidivism Coalition, and others.
Unfortunately, however, without a thorough and sustainable effort, crime increased in L.A. and our advances become threatened, particularly in the poor Black and Latino communities of South Los Angeles.
What this means for Salinas….
I’m aware there are many gang prevention/intervention programs already existing and funded in Salinas, including for decades. Those working in these programs are valuable assets, often facing adverse conditions and heroically trying to provide help in any manner possible. They are all invited to be part of this process.My main approach is to look at the whole fabric of the economic, political, cultural, and spiritual components at play, and where the gaps and empties exist. In city after city, I’ve seen piece-meal approaches to violence and crime, although in my view these are “organized inadequacies” unless a whole community approach is envisioned and instituted.
The “I’m saving one starfish” at a time approach is fine, heroic as I’ve said. I’m not against this, obviously, but we need more—and we should not be comfortable just doing this over and over again. We need to save one person as well as create the environment to save all; we need immediate needs and demands met, and we need to leave adequate structures for the long haul.
I can bring in more aspects, but this seems like a good place to start to incorporate proven, evidence-based ideas and practices that the people of Salinas can build on to make a plan with full ownership from all involved. The next process is create the plan and then to obtain full “buy in” from gangs, youth, families, schools, faith-based organizations, non-profits, government agencies, and more.
This plan must not be “pie in the sky,” but it has to be big and encompassing. It also has to be imaginative yet also feasible with a budget that can be met and a process that can pull everyone in. And evaluations and metrics have to be included to measure and gauge progress. Costs are always a problem, but I find that most city, county and state funds are already in place—the problem is they are not allocated in a whole-community and integrated manner.
Proper and full communities are made up of shared agreements. That’s the direction we need to go. We have an arduous path ahead of us. But I’m convinced the people of Salinas are more than a match for the challenges we’ll face if we become imaginative, integrative and keep a vision of both short-term and long-term goals.
I leave you all for now with this: “Unity in essential things; liberty in nonessential things; compassion in all things.”
Luis J. Rodriguez,
Advisor to “Salinas Youth Violence Intervention Project”
The next meeting of the “Salinas Area Youth Violence Intervention Project” will be held December 2, 2015 at 7:00 pm. All community members welcome. Please call 831-2402568 or 510-301-1472.
From the Los Angeles Public Library website: http://www.lapl.org/collections-resources/blogs/lapl/what-latinx-heritage-month-means-me
In the United States, “Latinx Heritage Month” is celebrated from September 15 to October 15. This is a time to recognize and honor Latinx peoples, cultures, issues, contributions, and histories.
Yet this year Latinx Heritage Month is arriving with a backdrop of presidential nomination candidates attacking Latinx migration to this country, calling for billions of dollars more for a thicker wall between Mexico and the United States, the deportation of anyone without documents, and even considering laws to drive out their children who were born here.
For me than, this is more than a celebration. It’s also about getting organized for everyone’s place as dignified human beings.
I am using the term Latinx to cover both male and female genders (Latinos and Latinas), but also the shifting non-binary transgender, transsexual, and other manifestations of our human existence. Unfortunately, a significant section of our society is still kicking and screaming to understand how fluid and marvelous our full humanity really is.
Latinx are no exception. I personally don’t use terms like “Hispanic” and rarely Latino. They only describe the colonial/conquests aspects of history. Since the 60s, I’ve called myself Xicano, U.S. born, politically active and arts engaged, whose parents were born and raised in Mexico. But this term doesn’t resonate with many of my own background.
As for native tribes, I’m Mexika/Raramuri (my father born in a traditionally Nahuatl-speaking area of Guerrero, and my mother from the Raramuri-area of Chihuahua). But, of course, I also have Spanish and whatever African my Guerrero roots draw from (many African slaves were brought into the state; Guerrero was named after the first African-descended president, in 1829, of Mexico).
If this sounds complicated, it is. Latinx cannot be boxed into any old demographic.
I’m also a bona fide United States citizen. Born and raised here. I have a passport. I observe U.S. laws. But I’m no homogenized, non-historical, non-political or non-cultural person. I’m actively involved in environmental justice, social justice, economic justice, and peace in the world as well as home.
These I consider the four pillars of any equitable decent society.
It’s clear to me borders were created for the benefit of a powerful class in this country, as in all countries, mainly to consolidate a home market based on supposed (and imposed) common language, heritage and economy (although global capitalism has made the whole world its “market”).
I see “borders,” “wages,” “mortgages,” “markets,” as well as racial and gender constructs as man-made constrictive deceptions that nonetheless dictate our lives. While most worry sick about jobs and rent and survival, an empire has been built in our name.
Do I love my country? Yes, but I love the world more.
As a poet/artist, I can imagine another society, one aligned properly with nature and its organic bounty; one that guarantees the healthy and full development of every human being and other living things; one that does not have social classes, exploitation, oppression, or anyone feeling less than anyone else.
I get that many Latinx may not agree.
Latinx in the U.S. come from pre-U.S. conquest Mexico, Mexico, Puerto Rico, Cuba, El Salvador, Guatemala, Dominican Republic, Honduras, Nicaragua, Colombia, Peru, and more. They have roots in highly developed native cultures like the so-called Meso-American area (Olmec, Toltec, Mexika, and Maya) and so-called Inca of South America, two of humanity’s “cradles of civilizations” that also include China, Nigeria, Egypt, Indus Valley, and Mesopotamia.
And to hundreds of other tribes from across borders.
Latinx have European ties due to the Spanish and Portuguese conquests of the continent, which also brought African slavery to our shores. These shores also accommodated Chinese, Japanese and Malaysian migrations (Brazil having the largest Japanese population after Japan). And Filipinos are our “Latinized” brothers and sisters of Asia.
In the United States, we have more history and issues. Latinx have been in every war the U.S. ever fought, including the American Revolution (if you count contributions of Spanish and other Latinx). During World War II, Latinx garnered more Congressional Medals of Honor than any other group. In the Vietnam War, we were disproportionately put on “point” and front lines, along with Native Americans, blacks and poor whites, garnering 22 percent of all casualties when Latinx made up little more than 5 percent of the population.
And I haven’t even touched social classes, rife throughout this continent as in the United States.
Yet without U.S. Latinx there wouldn’t be cowboys, guitars, guacamole, chocolate, rubber balls, gum, hot sauce, salsa music, Latin Jazz, Desi Arnaz, Rita Hayworth, Celia Cruz, Carlos Santana, Sammy Sosa, Jennifer Lopez, Los Lobos, Oscar De La Hoya, Sandra Cisneros, Junot Diaz, Eddie Palmieri, lowriders—or much of the fruits and vegetables on our tables. Despite the differences there is much that does unite us. Latinx are ingrained in the U.S. cultural, economic and political tapestry—and always have been.
The point is any term, including Latinx, is only the “tip of the iceberg.” So much more is beneath every label, every category, every simplified description. Still there should be essential agreements that bind us as a people, orienting us to a future no longer mired in financial crisis, war and uncertainty.
We can agree to dream, envision, strategize, and organize for a country and world worthy of all our gifts, our destinies, and health. What any conscious and caring human being should do.
This means finding commonality with African Americans, Asian Americans, Native Americans, and European Americans, the spectrum that makes up “American.” I’m sure we can find vital things to agree with. Why not a peaceful and safe world, a clean and thriving earth, an encompassing and growing economy, a blooming and rich cultural life, and true justice for all?
So this Latinx Heritage Month, we have much to celebrate—and we have substantial short and long-range issues to confront.
Let’s do both.
I’ve been a conscious revolutionary writer, thinker and organizer since 18 when I began to relentlessly remove myself from “La Vida Loca,” the Chicano gang life in an East L.A.-area gang, including drug addiction, violent acts and jail. I’m fortunate to have begun this difficult process at the right time, when my own internal development aligned with the social movements of the late 1960s and early 1970s.
My mentors were among the most radical members of the civil rights, anti-war and labor struggles at the time. They had the vision and knowledge that was powerful enough, encompassing enough, to pull me from the abyss. Nothing spoke to me more than the intense study, strategizing and organizing these revolutionaries brought to my door.
Nobody impacted me as much as Nelson Peery, an African American World War II veteran whom I met when he was almost 50 years old. Originally from Minnesota, Nelson already had thirty years of revolutionary training and experience across the United States and in countries like the Philippines. His 1994 memoir, “Black Fire: The Making of an American Revolutionary” (New Press) is a striking story of the growth and development of what I consider the most advanced U.S., if not global, revolutionary of the past fifty years.
On September 6, 2015, Nelson Peery suffered heart failure in Chicago at the age of 92. I send my deepest condolences to his family, comrades and friends.
When I first met Nelson in Watts, seven years after the 1965 Rebellion, he had gathered around him young, hungry and often angry people from all ethnicities and walks of life, but mostly from the large and fractured working class of the most advanced capitalist country in history, the United States. He pushed a precision in education and action that went against the violence and disorganization of the times. He got us to slow down, study, think and act accordingly.
By the mid-1970s, COINTELPRO had destroyed most organizations in the struggle. Cutbacks in life supportive services rose through Nixon and beyond. In ten years, homelessness became a permanent feature of this capitalism as well as unemployment, financial crises, mass incarceration, wars for power and resources (mostly oil).
The world needed deep and systemic change, not just because it was a good idea, because the objective conditions were ripening for this—making this “a good idea.”
Nelson in forty years since our first meeting, through various incarnations including the League of Revolutionaries for a New America (LRNA), helped create perhaps the most significant multicultural organizations among the radical Left. The leadership has been majority women, people of color and working class. He formulated important concepts that enhanced the thinking of modern-day revolutionary scientists, including how the relatively recent digital revolution was the most meaningful in the U.S. since chattel slavery was outlawed in the 1860s—and as important as the industrial revolution of the same time.
I was proud to be among these intense and strategic leaders.
However, those who knew Nelson and me know we had an unfortunate falling out some five years ago. It would be dishonest, and a dishonor to Nelson, even at his death, to totally lionize him. Nelson was my greatest teacher, and a second-father to me. He was also a source of great disappointment.
Nelson was a multi-dimensional human being with many faults. To be fair he was like the rest of us. Broken in particular ways. Yet when Nelson was right, in his element, few were his equals.
For me, personally and politically, I leave all this behind. There is much unfinished business to do. For one, this is a time to unite the revolutionaries—from every facet of society, presently scattered and easily isolated. The most principled position now is to move forward. Stay true to revolution, the objective basis of which keeps growing. Stay learned, patient, connected, with clarity of vision and short -and long-range strategic aims.
As Nelson once wrote, it’s time to “build a revolutionary organization worthy of the American people… ”
This task is still before us. And I’m convinced meeting this challenge is the best way to honor Nelson Peery.
This piece was a blog post by Luis J. Rodriguez on June 23, 2015 as L.A.'s Poet Laureate for the LA Public Library's website. Here's link: http://www.lapl.org/collections-resources/blogs/lapl/trauma-transformation
The calling came to me while I languished
in my room, while I whittled away my youth
in jail cells and damp barrio fields.
It brought me to life, out of captivity,
in a street-scarred and tattooed place
I called body.
Until then I waited silently,
a deafening clamor in my head,
voiceless to all around,
hidden from America's eyes,
a brown boy without a name.
I would sing into a solitary
tape recorder, music never to be heard.
I would write my thoughts
in scrambled English;
I would take photos in my mind
—plan out new parks, bushy green, concrete free,
new places to play and think.
Waiting. Then it came. The calling.
It brought me out of my room.
It forced me to escape night captors
in street prisons.
It called me to war, to be writer,
to be scientist and march with the soldiers
It called me from the shadows, out of the wreckage
of my barrio—from among those
who did not exist.
I waited all of 16 years for this time.
Somehow, unexpected, I was called.
That poem was first written when I was 16 years old and jailed during the Chicano Moratorium against the Vietnam War. The date was August 29, 1970. Some 30,000 people took part in the largest anti-war protest in a community of color at the time.
After law enforcement officers attacked a mostly peaceful crowd, a riot ensued, leading to millions of dollars in damage and the deaths of three persons, including Chicano journalist Ruben Salazar. Hundreds were arrested. I recall several of us being Maced while handcuffed in an L.A. County Sheriff’s bus. Others beaten.
However, after releasing most people within hours, five of us “cholos,” Chicano gang youth, were not released. Instead, sheriff’s deputies held us in the murderer’s row of the Hall of Justice Jail in downtown Los Angeles (which was illegal—you’re supposed to be 18 and over). I had a cell next to Charles Manson. The first night I was there, two murderers put a razor blade to my neck. I stood up to them, showing no fear, although I was scared to death. Deputies threatened us with charges in the riot killings. I was lost for several days while my parents tried to find me in juvenile hall and other facilities
But, charges were never filed. Deputies woke me up in the wee hours and released me without a word. Their apparent plan to make scapegoats of us “gang bangers” backfired when Chicano activists produced photos and film of police beating and shooting people, including of the Silver Dollar Bar on Whittier Boulevard where Salazar was killed.
These activists preceded the video age by 40 years.
This incident, nonetheless, pushed me into a new trajectory of life—from a rageful, heroin-using, high school dropout to a conscious, active, revolutionary writer, thinker and organizer.
Despite my personal battle with drugs, losing 25 friends by the age of 18, and other arrests for attempted murder and later for trying to stop police officers from beating a handcuffed young woman while they held her on the ground, I returned to school, obtained my high school diploma, painted eight murals, worked with gang and nongang youth, wrote articles, plays and poems, and led school walkouts for social change.
I went two steps forward, one step back, but soon I found my footing. By age 20, around the time I held my first son after his birth, I became crime free, drug free and gang free.
Today I have 15 books in all genres, including a memoir, “Always Running,” that has sold close to half a million copies and is one of the most checked out books—and one of the most stolen—in the LA public library system.
And last October, L.A. Mayor Eric Garcetti chose me as the city’s Poet Laureate.
What happened? How is this kind of change possible? Can it happen to others?
This is the journey from trauma to transformation—and my example is what can happen to millions of troubled young people so they move from violence, crime and addictions to centered and vibrant lives.
I have five steps in one’s personal passage to leave the paralyzing affects of pathological and addictive behavior.
Get help. Find a healthy and sustainable community. If you can’t find one, create one. These communities can be temporary, which they often are, or long-range. There are many already out there—from churches, AA, social justice organizations, therapy circles, cultural centers, schools… I can go on and on.
Find your art, your passions, your innate purpose—to live out the story written on your soul the day you were born. My poem “The Calling” directly addresses this issue—about living the life you were meant to live, not one imposed on you or one you feel you must live for others.
Find a spiritual path. The key to this is that there are many ways to go. Spirit doesn’t care about the particulars of the form, the church, the belief system. Spirit does care in the essence, to be engaged by what speaks deeply and singularly to you. This is how you access vitality for the physical world, with all its hardships, betrayals, pains, losses, and, yes, even its lures and intoxications. Being spiritually strong is how one maintains a quality of presence wherever you go.
Find a cause bigger than yourself. Personal trauma has sources in society, family, community. A full circle has to be completed: All personal healing and growth are to help you become an impactful, positive and meaningful person in relation to others. There are any causes. Mine were linked to making a better and decent society. I was concerned about ending poverty, fighting for a clean and green environment, for social equity, and for peace at home and abroad. I learned these issues are not separate silos to be achieved in a vacuum. These challenges are tied to the same source—an archiac economic system—and to a common aim—a cooperative and thriving world for all. But I also learned, again, that people had to find the causes that best speak to their heart, their intelligence, their spirit.
Learn to own your life. With addictions and gangs we tend to turn our lives over to other people or things. Over time we mold ourselves around their pull on our psyches—with drugs or alcohol making all needs, one need. They fill in—although superficially and temporarily—the empties in our circumstances, of our families, in our spirits. We stop owning our lives. Once you take back responsibility, with codes and propreity tied to your interests, you become liberated. The goal is to be an autonomous, authoritive and independent person. That’s the best kind of person to intertwine and connect to others. Personal authority is powerful. It allows you not to fall under the authority or pathological complexes of other people or groups. But to also be part of the whole, integral to family and community.
Somehow, someway, I’ve been able to take these steps. And I’ve helped others caught in violence or addictions to do the same over the past forty years. For community, this means proper initiations, rites of passage, mentoring, and imparting of knowledge, culture and skills to our young people.
This works—and I’ve maintained for decades this is cheaper and more effective than any prison system or institutionalization where many of our troubled youth end up—going nowhere, wasting away, alienated, detached, their lives erased, unseen and unheard.
In California alone, we spend more than $43,000 a year to house one inmate—around $252,000 annually for juveniles. This is in a prison system that incarcerates 140,000 people at a cost of $10 billion a year. We can and must do something other than this, something truly transformative and restorative for our youth, or we condemn them to suicide, addictions, lives with no meaning.
As my friend, the reknown mythologist Michael Meade, says, “Most people have heard the old African proverb that ‘it takes a village to raise a child.’ Fewer know that the second part of the proverbial statement suggests that if young people are not fully invited into life, they will burn the village down.”
If properly recognized and welcomed, from the heart of violence can come the peacemakers—towards beauty, truth and good.
I call this process “tuning up” the six strings of the guitar that make up who you are—the mental, physical, psychological, emotional, spiritual, and cultural—to be in accord, to align, to be in harmony.
Of course, all guitars have to be played, to get out of tune. So having the right practices, spiritual and/or artistic, as well as renewing touchstones are necessary to get tuned up again. To return to rhythm and balance. Only, of course, to get off balance and off-note the rest of the time.
That’s life. That’s living. But each time you stop, pay attention, tune up, you sound richer, feel fuller, become wiser in your bones.
I’m ending with a poem that speaks to not accepting the demonization that happens too often to our youth from adults, schools, police, and even parents. It’s an invitation to rise above the limitations in and around us—to the dreams, visions and inexaustible spirit already in their grasp and to realize their own true selves and a world worthy of all our children.
Piece by piece
They tear at you:
Peeling away layers of being,
Lying about who you are,
Speaking for your dreams.
In the squalor of their eyes
You are an outlaw.
Dressing you in a jacket of lies
—tailor made in steel—
You fit their perfect picture.
Take it off!
Make your own mantle.
Question the interrogators.
Eyeball the death in their gaze.
Say you won’t succumb.
Say you won’t believe them
When they rename you.
Say you won’t accept their codes.
Their colors, their putrid morals.
Here you have a way.
Here you can sing victory.
Here you are not a conquered race,
—the sullen face in a thunderstorm.
Hands/minds, they are carving out
A sanctuary. Use these weapons
Against them. Use your given gifts
—they are not stone.
This post first appeared as a weblog on April 29, 2015 in the Los Angeles Public Library website: http://www.lapl.org/collections-resources/blogs/lapl/praise-chicano-poetry.
Chicano/a poets have emerged as major literary figures in the United States with the recent appointments of Juan Felipe Herrera as California Poet Laureate (although he just finished his two-year term) and Alberto Rios as first poet Laureate of Arizona. We also have Alejandro Murguia of San Francisco, Laurie Ann Guerrero of San Antonio, and yours truly of Los Angeles as poet laureates of our respective cities.
We’ve risen out of the shadows, also against erasure (including Arizona Republicans banning Chicano books, among others, and their efforts to destroy Chicano Studies). And we’re doing this with style, with new juxtapositions of words and images—with mastery. Highly marginalized within the vast field of U.S. letters, our place at the heart of U.S. literature can no longer be denied.
Our books are studied in English and Chicano/Latino studies classes across the country (when they’re not being challenged, cut or diminished). And we’re being scrutinized and anthologized in a number of institutions in Mexico, Japan, Germany, France, and the United Kingdom.
My own readings and talks abroad have included the Sarajevo Poetry Festival, the first Slam Poetry Tour in Europe, and festivals and venues in London, Manchester, Paris, Milan, Rome, Tokyo, Buenos Aires, Caracas, Lima, El Salvador, Guatemala, Nicaragua, Mexico City, Guadalajara, Taxco, Oaxaca, Toronto, Montreal, Berlin, Stuttgart, Heidelberg, and the Netherlands.
Chicano poetry is an important branch of the great poetic traditions flowing from across the country—along with African Americans, Native Americans, Asians, Irish Americans, Italian Americans, Jewish Americans, LGBT writers, and more. Yet you wouldn’t know this when literature curriculums insist the only writers that matter are white, male, straight.
We all belong. We all matter.
Chicano poetry has existed since the U.S. government invaded Mexico in the 1840s, and grew tremendously during the Mexican Revolutionary period of 1910 to 1930 (those years included other upheavals in Mexico, like the Cristero Rebellion, resulting in more than a million people killed and a million refugees when Mexico only had 15 million people, about the size of Guatemala today).
The explosion of Chicano poetry first hit in the 1960s at the same time that better-known African American poets like Haki R. Madhubuti (then known as Don L. Lee), Nikki Giovanni, Amiri Baraka (Leroi Jones), Jayne Cortez, Sonia Sanchez, and others wrote and performed a new poetry of protest (as well as Puerto Ricans such as Pedro Pietri, Miguel Algarin, and Miguel Piñero).
The first major exponents of Chicano verse were male: Ricardo Sanchez, Raul Salinas, Tino Villanueva, Lalo Delgado, Alurista, and the “Godfather of Chicano Poetry,” Jose Montoya. The most famous poem of the time, however, was credited to a leading Chicano movement leader, Rodolfo “Corky” Gonzales: “Yo Soy Joaquin/I am Joaquin.” Here’s an excerpt:
I am Joaquín,
Who bleeds in many ways.
My back of Indian slavery
Was stripped crimson
From the whips of masters
Who would lose their blood so pure
When revolution made them pay,
Standing against the walls of retribution.
Blood has flowed from me on every battlefield between
campesino, hacendado, slave and master and revolution…
Like the poem, Chicanos pushed back their heritage beyond the Spanish conquest and its consequent clash of heritages, tongues and histories throughout the Western Hemisphere. Chicanos challenged historians who tried to categorize U.S. residents of Mexican descent with the Spanish missions and explorations. Chicanos are mostly rooted in Mexika, Mayan, Huichol, Tarahumara, Purepecha, Yaqui, Mixteco, Zapoteca, Otomi, and other tribal cultures that managed to survive a loss of 95 percent or more of their people during the Spanish colonial period. The Valley of Mexico, for example, went from an estimated 25 million native population to 2.5 million within 50 years of Cortez’ landing.
In California, native peoples intermingled with the mostly natives of Sonora (the settlers also included blacks and at least one Filipino) during the Spanish settlement of Los Angeles. In fact, the city, founded in 1781, had a native from Sonora as its first mayor. But again, each group is seen separately, and too often in lower prestige than the massive Anglo influx (“Anglo” being a misnomer for any “white” regardless whether they came from England or not).
Chicana poets were finally accessible in the 1980s with the publications of works from Gloria Anzaldua, Ana Castillo, Sandra Cisneros, Pat Mora, Lorna Dee Cervantes, Cherrie Moraga, and others. Here’s a section of verse from Sandra Cisneros:
Before you became a cloud, you were an ocean, roiled and
murmuring like a mouth. You were the shadow of a cloud
crossing over a field of tulips. You were the tears of a
man who cried into a plaid handkerchief. You were a sky
without a hat. Your heart puffed and flowered like sheets
drying on a line…
Of course, Chicano/a writers also ventured into novels, short stories, essays, journalism, and children’s books. These include personal friends like Denise Chavez, Victor Villaseñor, Dagoberto Gilb, Benjamin Saenz, and Helena Viramontes. I too wrote in multiple genres, mirroring what writers did around the world (the U.S. academies and major publishers tended to push writers into a single genre).
By the first decade of the 2000s, Chicano poets/writers included Francisco Alarcon, Jimmy Santiago Baca, Luis Alberto Urrea, Rigoberto Gonzalez, Jose Antonio Rodriguez, Reyna Grande, Daniel Olivas, Alex Espinosa, Ruben Martinez, and others.
We are also seeing in the past twenty years or so, the rise of Central American poets and writers (also from war and poverty in El Salvador, Guatemala, Nicaragua, and other countries). Most notably Claribel Alegria, William Archila, Leticia Hernandez-Linares, and Hector Tobar.
Puerto Ricans, Cubans, Colombians, and other Latinos in the U.S. continue to add their stories and voices. The Dominican American Junot Diaz and the Cuban American Oscar Hijuelos are the only Latinos to win Pulitzer prizes in literature so far (other Latinos have won in drama, poetry, and journalism). We’ve been finalists or winners of National Book Awards or National Book Critics Circle Awards, among other recognition.
Even when major U.S. publishing houses failed to publish Chicano and other Latino writers, the writers kept working, including with our own presses (such as Arte Publico, Bilingual Review, Cinco Puntos, Tia Chucha Press, and others). Finally the big houses began to court Chicanos and other U.S. Latino writers, not just Latino writers from other countries. My own works have been with Simon & Schuster and HarperCollins as well as Curbstone Press, Lee & Low, Tia Chucha Press, and Seven Stories.
I’m honored then to shed some light on the grand tradition of Chicano/a writing in this country. For anyone interested, the current and past Chicano/a poet laureates and others will come together in San Francisco for the “International Flor y Canto Literary Festival,” May 14-15 at the Mission Cultural Center for Latino Arts, 2868 Mission Street. Check the Internet for times (I’m reading Friday, May 15 after 7 pm).
This is all a testament to our growth as important U.S. writers despite the odds, hurdles and barriers. We will persist. Moreover, we will endure for generations to come. To paraphrase Walt Whitman, future Chicano/a writers will justify us.
This blogpost first appeared on the Los Angeles Public Library website on Friday, March 27, 2015: http://www.lapl.org/collections-resources/blogs/lapl/celebrate-national-poetry-month-support-your-local-poets
As the new Poet Laureate of Los Angeles, I’m excited about National Poetry Month, which every year falls on April. This April, I will be visiting libraries and schools as well as take part in the largest gathering of writers and teachers of writing in the country—the Association of Writers & Writing Programs (AWP) Conference to be held this year from April 8 to 11 in Minneapolis MN.
One thing that people may not be aware is that Los Angeles is a voracious book town. In 2012, the Christian Science Monitor declared that L.A. is the “most book crazy” of any U.S. city, with more people buying books and the greatest number of bookstores than cities like New York City, Chicago, Boston, Washington D.C., Philadelphia and San Francisco.
Greater Los Angeles also has wonderful small to medium literary presses, including Kaya Press out of USC (East and South Asian writers), Writ Large, and the renowned Red Hen out of Pasadena, among others. In addition, the L.A. area has important independent bookstores and literary centers still standing—including Vroman’s, Book Soup, Skylight, the Last Bookstore, Eso Won, Beyond Baroque, Libros Schmibros, and the bookstore and cultural space I helped create, Tia Chucha’s Centro Cultural & Bookstore in Sylmar.
In fact, I also founded and continue to edit one of L.A.’s internationally respected small presses, Tia Chucha Press, which began in Chicago 26 years ago (it’s been the publishing wing of Tia Chucha’s Cultural Center since 2005). While I published my first book with TCP, since then I’ve only published other poets, by now around 50 (also anthologies and a CD). First from the vibrant Chicago poetry slam scene, where the slams originated, then major U.S. poets such as National Book Award winner Terrance Hayes; President Obama inaugural poet Elizabeth Alexander; International Poetry Slam Champion Patricia Smith; Japanese American writer Kyoko Mori; Cuban American Virgil Suarez; and veteran Chicano poet Richard Sanchez.
We are truly cross-cultural, known for our line of fantastic African American poets, but also Puerto Ricans, Native Americans, Asian Americans, Jamaican Americans, LGBT, Irish Americans, Italian Americans… you name it. This year we are introducing the work of Native American poet Deborah A. Miranda (“Raised by Humans”) and Salvadoran American Leticia Hernandez-Linares (“Mucha Muchacha/Too Much Girl”).
I’m mentioning this because I want to encourage lovers of poetry to buy books by TCP and similar presses. The presses and bookstores above and others like them need continual support from individuals, but also colleges, universities, high schools, and libraries. While the canonical poets like Walt Whitman, Emily Dickinson, William Carlos William, and Alan Ginsberg are taught and pushed all over the place (I personally love those poets), there are strong contemporary poets that should be appreciated and celebrated today.
From southern California alone, TCP has published wordsmiths like Peter J. Harris, Luivette Resto, Melinda Palacio, and Chiwan Choi. They need to be known among those who love great literature; their books should grace the shelves of bookstores and libraries everywhere.
At this year’s AWP, a number of L.A. small presses will have a booth honoring writers like these. And in 2016, Los Angeles will host the AWP conference at the Convention Center. I, among others, plan to make an indelible impression about L.A.’s presses and writers on the thousands of attendees who will converge in our great city next year.
We don’t have to wait until a poet is dead to value their work. Living poets, including many new and young voices, are here, now. I’m working with the current Youth Poet Laureate, Amanda Gorman, 17, who will have a book out soon. And I’ll help Urban Word with the selection of the new Youth Poet Laureate this summer. Extraordinary performance poet Matt Sedillo and I will also do workshops on “The Political and the Personal in Poetry” in surrounding communities. And I will be doing events with John Densmore of the Doors, the East L.A. band Quetzal, the amazing Get Lit Players poetry group, Street Poets, and Revolutionary Poets Brigade, among others, as the year progresses.
And to truly represent our city’s literary life, Tia Chucha Press is working on an anthology of L.A. area poets called “The Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles.” You can get more information about this at the TCP page of www.tiachucha.org. The deadline is July 1, 2015.
As the assassinated Salvadoran poet Roque Dalton once wrote, “Poetry, like bread, is for everyone.”
When Tia Chucha's Centro Cultural non-profit component was established in July of 2003--to enhance the amazing work, presentations, workshops, and artists arising out of Tia Chucha's Cafe Cultural, LLC--the then working board (Angelica Loa Perez, Victor Mendoza, and Luis J. Rodriguez, with Michael Centeno as our first director) created the following philosophical statement on August 13, 2003. This served as a guiding document for our present and future work. Twelve years later, the document still stands. I've included this statement below to share the important thoughts, ideas and cosmologies that have informed and guided this invaluable cultural space in the Northeast San Fernando Valley:
Mission: Tia Chucha’s Centro Cultural is a not-for-profit learning and cultural arts center. We support and promote the continued growth, development and holistic learning of our community through the many powerful means of the arts. The Centro provides a positive space for people to activate what we all share as human beings: The capacity to create, to imagine and to express ourselves in an effort to improve the quality of life for our community.
Statement: We are dedicated to the full and complete social, spiritual and cultural growth of persons, families and communities in the Northeast San Fernando Valley and beyond. We base our work on the concept that a complete human being is a complete artist. Through arts and creativity, we can meaningfully address issues of fear, violence, addiction, rage, uncertainty, and social instability that are rampant in our communities. Creativity is the best way out of chaos and perennial crisis. Everyone is inherently blessed with gifts, attributes and capacities. People don’t come into this world as empty vessels where knowledge must be poured into them. They already have destinies and purposes intrinsic to their natures. Our job as teachers and mentors is to draw out and help activate these gifts so that each person can live out the life they are meant to live.
We base ourselves on the indigenous world outlooks that include the following realities: All things are connected. We are all relatives – including all people and all aspects of nature. We must cooperate and commit to the betterment of all people. If our society makes sure people’s basic needs are met – food, shelter, and clothing – but also their needs to be active, artistic, expressive and caring, we will have true peace and true justice. There are hungers and angers that have to be properly addressed. We also know that the world and universe are connected from the macro to the micro levels and back. Everything we need to survive, live and thrive exists in nature. Nature is both external and internal. We must be balanced in our thinking, actions and interactions. Whatever heals us can also kill us. Balance is the law of nature that makes sure we are healed and protected; when we are imbalanced, we move away from these possibilities.
There are various elements in our bodies, our psyches and in the world that must be addressed by community, the arts and collective rituals. The key elements are: Fire, which represents passion, vision, clarity and ancestors; water which represents healing, reconciliation, grief and fluidity; earth which represents welcoming, acknowledgment, grounding, stability and nurturing; minerals (rocks and such) which represent stories, poetry, music, and the languages of life and learning; and nature that includes the trees, plants, and air which represents change in all things.
All human beings have the same elements inside of them. Fire is represented by the heat of our bodies (98 degrees – we’re burning up) and the heart; water is represented by our blood and tears (we are also 70 percent water, same as the earth); earth is presented by our skin and embracing natures; minerals are in our bones, carrying the stories of our human and ancestral life; nature is in our hair and our lungs (the trees of the body with air and the branches of our lungs interacting so we can live). All is energized and dependent on Spirit.
These are the five elements that also correspond to the five senses, our five fingers, our five openings in the body, and so on. Among the Mexika, as in the Calendario, there were five creations that in turn kept flowing in continuum with the fifth creation representing movement (Ollin) just like the fifth element nature represents change. We also are governed by the supreme generating principle of the universe – Ometeotl, or the two complements of male and female energies that also correspond to all opposites vital to life and struggle and change: light and dark, up and down, in and out, and so on. We cannot have one without the other – all males have female qualities, all females have male qualities, we need both energies consciously and unconsciously to have true birth, growth, decay, and new birth – the process of all organization, form, art, and life.
The growth of life is in a spiral, not in a straight line or in cycles that go back to original forms. All things mature, develop, grow and die (or change), but on a higher level. Part of the past is taken into the future, part of it is sublated. New forms, new organizations, new entities are thus born. All life is birth, growth, death and rebirth. All modern science – whether it’s called dialectics, the transitions from quantity to quality, the unity and strife of opposites, the negation of the negation, quantum mechanics, chaos theory, E=MC2, string theory – has been the modern world crawling and clawing to grapple with what the ancient indigenous mind already understood.
This does not mean human kind should return to lower technological levels in our quest to root ourselves in that mind. We have this knowledge in our bones, in our DNA, in our collective unconscious, brought to life in rituals, ceremonies, prayers, language and the arts. We are seeing that the presently highly advanced technological levels afford us a spiracle conclusion of an old issue – the alignment of the ancient indigenous mindset with the modern technological advancements.
This alignment will require a revolution of mind, body, organization, economics, distribution, forms of governance, and relationships – as part of our evolutionary growth as human beings. This is not just a good idea; it’s part of reality and nature. We are in an epoch of revolution – necessary and tumultuous. Aligning our consciousness to these objective factors in society will also allow our spirits to live in accord with the rhythms, elements and direction of nature. That is the lesson of all mythologies, stories, ways of knowledge, including so-called religious beliefs, which have been mutated and misapplied due to political, social and economic pressures, in particular, over the last 5,000 years of so-called modern civilization. We must bring back the essence of most spiritual expression without the shredded garbs, lies, distortions and narrow aims put on them over those years.
Humankind’s goal should be to bring the internal powers, faculties and capacities of each human being into accord with the great energies, renewing sources and paths in our common relationships and in our natural/cosmological reality.
Of course, Tia Chucha’s Centro Cultural is bound by the Western-oriented, U.S. created laws and legalities of present-day capitalist oriented not-for-profit organizations. We aim to abide by these laws while also expanding our knowledge, relationships and movement to what the past and the future demand of us – to incorporate the ancient indigenous mind and wisdom within the present actualities of modern life and culture so that every person, every family and every community can live deeply rooted, meaningful and purposeful lives.
To find out more about Tia Chucha's Centro Cultural & Bookstore, and to donate, please go to www.tiachucha.org
My second blogpost for the Los Angeles Public Library website is reprinted below:
“Well, write poetry, for God’s sake, it’s the only thing that matters.”
That statement, by a U.S. poet known for highly stylized poems, who’s own views moved from Unitarian to Republican, may appear odd, contrived, out of touch. I can’t say Cummings’ words are entirely true. How can poetry be all that matters? Most poets wouldn’t say that. Even good teachers can’t claim their students are all that matter. Or a master mechanic wouldn’t say that of cars.
Yet it’s a declaration we need to seriously consider, especially in our culture where poetry is relegated to the margins, to a “weird” art, as a rarely compensated or honored practice outside of a small, and often contentious, group of people.
Today we have to ask: Does poetry matter at all?
It’s hard to assign worth when there is a hierarchy of “values” hanging over our heads determined not by nature or science, but powerful men. I’m not talking about family values or cool traits. I’m talking net worth. The bottom line—“if it don’t make dollars, it don’t make sense.”
If that’s the case, poetry should cease to exist.
Many of us are among a disparate class of “po’ poets.” Yet the art persists; like a genetically evolved organism, it adapts. Poetry is strong among the young, the displaced and overlooked. It sprouts in movements like the “free verse” movement, the imagists, the confessionals, the Beats, the 60s movement of black and brown poets, the formalists, Hip Hop, slam poetry, and more.
Poetry in its varied forms of presentation is growing in MFA programs; thriving at open mics in cafes, bookstores, storefronts, schools, libraries, bars. And there are presses, hanging by thin threads, I admit, that only publish poetry.
Despite the constraints, poetry continues to be, as British poet Matthew Arnold once stated, “simply the most beautiful, impressive, and widely effective mode of saying things, and hence its importance.”
Recently I took part with several poets of all colors in reading poems by black writers in response to “Black Lives Matter.” Similar readings have been held around the country to speak out against the disproportionate number of unarmed black people killed by police. Appropriately the organizer read names of those recently killed, including Latinos and others. I read a poem by Henry Dumas, a black fiction writer and poet, who in 1968, at age 33, with two small children at home, was killed by a transit police officer at a Harlem train stop. His “crime”: jumping a turnstile (in a case of “mistaken identity”). All his books were published posthumously.
What a powerful event this was, at “The Sweat Spot” in Silver Lake, with every emotion evoked, singed by diverse voices, and a catharsis driven by a commonality of interest.
Poetry is not easily monetized, industrialized and exploited—hence its lack of “importance” in our modern culture. But its “value” goes beyond the mundane or profit-oriented. Poetry is a way to impressively carry ideas and emotions, which in turn is a way to impact and change this world.
And as long as the world needs changing, we’ll need poetry.
As my friend, the mythologist Michael Meade writes, “It is easy to feel lost and betrayed in a world of increasing alienation, where greed, injustice, and dull materialism obscure the underlying dream of life. There is a path the soul would have us take and a unique way of seeing the world it would have us awaken to. There is a music and rhythm in the body and a song in the soul; both an inner vitality and an instinctive connection to the divine that is the inborn source of great imagination and creativity.”
Poetry is how one establishes a pattern in one’s life, away from and opposed to the inauthentic patterns imposed by others, by norms, by societal value systems. It’s a way—as all artistic practices are—to see life through the lens of our innate dream, our inner impulses.
The “giants” in our world—big institutions, big wealth, big media, big politics (fueled by big wealth)—seem daunting to take on. But poetry can be a David with multiple slingshots: precise imagery, clear ideas, a strong narrative, in the finest sequence of words.
Looking at it this way, I recall times when I was in dark spaces, lost, pissed off, tired as hell. Poetry then came and claimed me. An art, a practice, a passion can do that. When that happens, you may realize the lifelines, the healing powers, are inside of you.
And this is when poetry means everything.
The LA Public Library has posted my first blogpost as the city's new Poet Laureate: http://www.lapl.org/collections-resources/blogs/lapl/poet-laureate-poet-illiterate-what
Here it is reprinted below:
When I received the call last September from Mayor Eric Garcetti that I’d been chosen as the new Poet Laureate of Los Angeles, I had to keep this quiet until the official announcement in October. However, I did mention this to a few people, most of whom looked at me with a smile and confused expression.
“What’s a ‘poet laureate’?” one asked.
My so-called best friend wisecracked, “Did you say ‘poet illiterate’?”
I knew then I was in trouble.
Okay, I’m only the city’s second poet laureate, following the brief tenure of L.A.’s wonderful poet, Eloise Klein Healy. Still it’s about time this term became a household name. In fact, the U.S. now has more poet laureates than ever before, around 45 in cities big and small. There are poet laureates for states, communities, small towns, and Native American reservations (Luci Tapahonso is the first Poet Laureate of the Navajo Nation). In the L.A. area, there are poet laureates in Sunland-Tujunga, Altadena, among other communities. And sponsored by New York City-based Urban Word, there is a Youth Poet Laureate, 16-year-old Amanda Gorman (we read together at Beyond Baroque on February 28).
California’s Poet Laureates have included my friends Al Young, Carol Muske-Dukes, and Juan Felipe Herrera. Also San Francisco has had a poetry mentor of mine, Jack Hirschman, as well as an old friend, Alejandro Murguia, as poet laureates.
And we can’t forget that Charles Wright is currently the U.S. Poet Laureate, a position held by a leading U.S. poet since 1937. The present title, however, wasn’t authorized until an Act of Congress in 1985—they were known as “Consultants in Poetry” before then.
The Poet Laureate tradition is long—poet laureates were first recognized in Italy during the 14th century. Ben Johnson became England’s first poet laureate in 1616, although the first “official” poet laureate, John Dryden, received his appointment in 1668. In ancient Greece, a laurel or crown was given to honor poets and heroes. Such honors were bestowed to the best poets of the time—and those who could best chronicle in verse their times.
Yet for me the tradition goes farther back to African griots, other oral storytellers from around the world, and to the massive cities and temples of the Mayans and Mexikas (the misnamed Aztecs), whose so-called rulers were known as Huey Tlatoani—Great Speaker.
With this grand legacy, Danielle Brazell, LA City’s Department of Cultural Affairs’ General Manager, and John Szabo, our City Librarian, also gave me license “to make this position what you want.”
For sure, I’ll be working closely with the vast Public Library system, the Department of Cultural Affairs, and the Mayor’s Office. I’ve already met with L.A. County’s Human Resources Department. I’ll be part of this year’s “Big Read” book events, celebrating the novel “Into the Beautiful North” by Chicano writer Luis Alberto Urrea with an inaugural push at City Hall on March 25. The annual “Celebrating Words” outdoor literacy & arts festival, to take place in Pacoima, will honor the Poet Laureate and the Big Read on June 6 (organized by Tia Chucha’s Centro Cultural and sponsored by the Department of Cultural Affairs and California Arts Council, among others). We’ll also take part in LeaLA! (Read LA), the Spanish-language book fair from May 15 to 17.
Since January 1, I have already read a poem in Nahuatl (language of the Mexikas and spoken by more than 2 million indigenous people in Mexico and Central America) for the “Endangered Languages” event at the Hammer Museum; wrote two sonnets and a free verse poem for the People’s State of the Union presentation at the Bowery Poetry Club in New York City; talked to students whose parents are in prison for POPS (Pain in the Prison System) at Venice High School; read at the Alivio Open Mic in Bell CA; submitted a “Love Poem to L.A.” to key publications; spoke at Claremont College of Theology; had media interviews with Los Angeles Magazine, LA Daily News, KCET-TV, Univision, Telemundo, MundoFox, TV Azteca, KPPC-FM…and more.
Where do we go from here?
I say everywhere. The schools. The various colorful and flavorful neighborhoods. Tapping into this city’s reservoir of rich languages and traditions. Working with youth poetry groups like Get Lit Players, Street Poets, and Say Word. Visiting and taking part in as many Open Mics as I can, including Tia Chucha’s Open Mic held every Friday night (www.tiachucha.org). Create poetry videos. Perhaps anthologies of youth and other writings.
I’m also inviting any of you to send me ideas. Write me at [email protected]. Let’s make poetry a revolutionary and healing act. Let’s make poetry an everyday, every occasion, thing. Let’s sing our lives, our traumas and our triumphs, with the powerful means of words, images, voices, our hearts and minds.